Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Sunday, January 24, 2021

Robert Eggers' THE VVITCH : A NEW ENGLAND FOLK TALE (2015)

Bad parenting, ahoy! You didn't think
That only happens now, did you? A dad
Need not be violent, and needn't drink
To wreck a fam'ly's life. Then, too, a bad
Mom helps, especially when a big black goat,
With Chekov's giant horns, is also there. 
In truest ay-two-four style, you can vote:
Is this for "real" or did they all just share
Some ergot-madness? Too, it's well-conveyed
How ev'rything must stink, as well as why
(Yes, fetch the water downstream from the maid
Who's washing goat-shit from some clothes, oh aye!).
I'd like to see this done in black and white.
Such ambiguity might up the fright...

Saturday, June 6, 2020

Armando Ianucci's THE DEATH OF STALIN (2017)

O Ianucci, could you ever fail?
The evidence so far says surely not!
And even though our thigh slaps turn to wails
Of shock and horror, watching people shot
To "keep the peace(!)", still we laugh loud and long
At yet another stunning combo: script
And perfect improv. I can only long 
For when this crew takes on the 45th
White House. Meanwhile, I think Buscemi could
Hold on with Malcolm Tucker. Some things must
Be roundly mocked, if only for the good
Of humankind. Though, when the filmic dust
Is settled, one thing would improve the lols:
If Beale and Tambour could have swapped their roles. 

Friday, June 5, 2020

Mika Kaurismäki's THE GIRL KING (2015)


Christina, Queen of Sweden, long has dwelt
Rent-free inside my head, e'er since I read
Of her in my Horizon mags. I felt 
A little more a rebel, in my head
For knowing she had lived. And Garbo brought
Her e'en more forward, so my standards for
A film about her are perhaps too high. 
There's some to like,  here, sure, but there is more
To who she was and what she did, than (sigh)
Her Countess. There's some quite good dialogue
At least, and all looks pretty, as it should.
It's not a bad film, though; it's not a slog. 
Is that enough, though, that I'd call it good?
Her odd upbringing isn't shown at all, 
Nor post-crowned life. Not sure 'twas their best call.

Guillermo del Toro's THE SHAPE OF WATER (2017)

Some movies are for looking at, and I'd Say this is one, for ev'ry gorgeous frame Would look great on my wall. All that ...